On a recent episode of Textiles & Tea, hosted by Kathi Grupp of the Handweaver's Guild of America, artist Matt Tommey shared the intricate tapestry of his journey into fiber art. From humble beginnings experimenting with invasive Southeastern vines to becoming a celebrated artist blending traditional basketry with modern aesthetics, Matt’s story is both inspiring and enlightening.

From Kudzu to Creativity
Matt’s artistic journey began, quite serendipitously, during his college years in Georgia. Inspired by a chance encounter with a basketry book, he ventured into the woods, pocketknife in hand, to experiment with Kudzu—a vine often dismissed as a nuisance. This initial curiosity led to a lifelong passion for working with natural materials.

“I always tell people my journey has been more about the materials than about the baskets themselves,” Matt explained. Growing up in rural Georgia, surrounded by woods, he developed a deep connection with nature. This connection became the foundation of his artistry.

Evolving from Hobbyist to Professional Artist
While Matt initially approached basketry as a hobby, his craft took on new meaning as he navigated life’s twists and turns. He often used his creative pursuits as a grounding force during periods of career uncertainty. By 2008, he began transitioning into professional artistry, moving to Asheville, North Carolina—a vibrant hub for craft and creativity.

In Asheville, Matt’s work underwent a transformation. He began to see his baskets not merely as functional items but as sculptural expressions. This shift was inspired by both his surroundings and mentors, like contemporary basketry artist Michael Davis, who encouraged him to explore new techniques and push the boundaries of traditional basketry.

Crafting Stories Through Natural Materials
A defining feature of Matt’s work is its rootedness in place. Each piece begins with a meditative journey into the woods to gather materials. Matt primarily uses Southeastern invasive species like honeysuckle, mimosa bark, and Kudzu, celebrating their resilience and beauty.

“Being in the woods is sacred for me,” Matt shared. “It’s where I feel most connected to myself and my creativity.” This deep connection to nature is evident in his work, which often mimics the organic forms and textures found in the wild.

Innovation and Artistic Voice
Matt’s artistic evolution has led him to experiment with blending basketry, sculpture, and painting. His works are often infused with encaustic wax, layered with natural pigments, and complemented by elements like copper and clay. Pieces like his large-scale wall installations showcase his ability to merge traditional craftsmanship with modern artistic sensibilities.

One pivotal moment came when an artist friend and mentor, the late Jonas Gerard, suggested elevating his baskets—literally—by creating wall-mounted installations. “When you put something on the wall, people perceive it as more valuable,” Matt recounted. This insight led to a series of commissions for high-end mountain homes, where he often harvested materials directly from clients’ properties, creating pieces imbued with personal and geographical significance.

The Importance of Connection
For Matt, art is not just about creating; it’s about connecting. Whether it’s through the materials he gathers, the stories he weaves into his pieces, or the relationships he builds with clients, connection is at the heart of his practice.

“People don’t buy art because they need it,” Matt noted. “They buy it because of the connection it creates.” This philosophy is evident in his approach to commissions, where he involves clients in the creative process, from harvesting materials to installation.

A New Direction: Nature-Inspired Reliquaries
Recently, Matt has ventured into creating "nature-inspired reliquaries," wall-mounted sculptures that combine cold wax painting, clay elements, and natural materials. These pieces, which feature niches housing small sculptural objects, represent a fusion of his basketry roots and his love for painting.

“These pieces feel like a culmination of everything I’ve done,” Matt said. “They bring together my love for texture, natural materials, and storytelling.”

Mentoring the Next Generation
Beyond his studio practice, Matt is dedicated to mentoring other artists. Through his books, workshops, and online programs, he helps artists navigate the challenges of building a creative career. “Anyone can learn technique,” he explained, “but it’s much harder to work through the emotional and mental barriers that hold us back. That's why I started our Created to Thrive Artist Mentoring Program, which has now helped thousands of artists worldwide start thriving spiritually, artistically, and in business.”

Matt’s journey is a testament to the transformative power of creativity, both personally and professionally. His work reminds us that art, at its core, is about finding and expressing our unique voice.

Discover Matt Tommey's Work
​To explore Matt’s stunning creations or learn more about his mentoring programs, visit his website at www.matttommey.com. Whether you’re an artist seeking inspiration or an admirer of nature-inspired art, Matt’s story and work are sure to leave a lasting impression.

As a visual artist, my work has always been deeply inspired by nature, and in this latest body of work, I’ve sought to explore that connection in a new and meaningful way. I’m calling this collection **"Contemporary Nature-Inspired Reliquaries."** Each piece is designed as a unique wooden box with niches filled with sculptural items that reflect the simplicity and sacredness of nature. Inside these boxes, you’ll find birds, nests, pods, weavings, and other abstract elements, all of which are crafted with the intention of inviting the viewer to pause, reflect, and reconnect with the natural world.

These pieces are more than just decorative objects; they are personal invitations to experience a moment of stillness and meditation in the middle of life’s chaos. The boxes themselves are treated as cold wax and oil paintings, with rich, textured surfaces that evoke the beauty and complexity of the natural world. My goal with these reliquaries is to celebrate the sacred in simplicity, creating a visual and tactile experience that encourages reflection, rest, and reverence for the natural world.

The Tradition of Reliquaries: Drawing from the Past

The concept of the reliquary has long fascinated me, and this new body of work is a nod to that rich history. Traditionally, reliquaries have been used to house sacred relics, often within religious contexts. These objects—whether bones, clothing, or other items associated with saints or holy figures—were revered as tangible connections to the divine. The reliquary itself, often beautifully crafted and intricately adorned, became a vessel of reverence, designed to protect and display these sacred relics.

As I’ve studied the history of reliquaries, particularly their use within Christianity, I’ve been struck by their dual purpose: they serve both as a physical container for the relic and as a devotional object in their own right. The beauty and craftsmanship of these reliquaries were meant to inspire awe and reverence, drawing the viewer into a deeper sense of connection with the divine. This interplay between form and function has greatly influenced my approach to creating these contemporary works.

Reimagining the Reliquary: Honoring Nature’s Sacredness

In my **"Contemporary Nature-Inspired Reliquaries,"** I’ve sought to take the essence of the traditional reliquary and reimagine it for our modern world. Rather than housing religious relics, these pieces contain elements of nature that, for me, hold their own form of sacredness. Birds, nests, pods, and weavings are all objects that I associate with the beauty, fragility, and mystery of the natural world—qualities that I believe are worthy of reverence and reflection.

Each element within the reliquary is carefully chosen and crafted to evoke a sense of stillness and connection. The birds, for example, often symbolize freedom and the soul, while the nests evoke ideas of home, protection, and nurturing. The pods and weavings speak to the interconnectedness of life and the way nature weaves its elements together into a unified whole. These objects, while simple in form, carry layers of meaning that invite the viewer to look deeper and contemplate their own relationship with the natural world.

I’ve always felt that nature has a profound way of speaking to the soul, and through this work, I hope to create spaces where that conversation can happen—spaces where viewers can pause and reflect on the sacredness that exists all around us, even in the simplest elements of nature.

The Creative Process: A Meditative Journey

The creation of each reliquary is, for me, a deeply meditative process. The wooden boxes themselves are treated as abstract cold wax and oil paintings, and the surfaces are rich with texture and layers. The cold wax medium allows me to create a patina-like effect, reminiscent of weathered surfaces that have aged over time, while the oil paint adds depth and subtle variations in color. The result is a surface that feels both timeless and contemporary—much like the objects housed within.

I love the tactile quality of cold wax and oil painting, and I often find myself getting lost in the process of building up layers of texture and color. There’s a quietness to this medium that I think complements the contemplative nature of the reliquaries. As I work, I think about the balance between chaos and calm, between complexity and simplicity, and how these opposites come together in the natural world. I try to capture that balance in the surfaces of these boxes, creating something that feels both soothing and intriguing.

Once the box is complete, I carefully arrange the sculptural elements inside. Each niche is like a small window into a world of its own, and I spend a lot of time considering how the objects interact with each other and with the space around them. My hope is that when viewers look into these niches, they feel drawn into a moment of quiet reflection—much like when you stumble upon something beautiful and unexpected in nature.

Inviting the Viewer into Stillness

At the heart of this work is a desire to offer viewers a moment of stillness and contemplation. In a world that moves so quickly, I believe there is great value in creating art that encourages people to slow down, to focus on the small details, and to take a deep breath. The niches within each reliquary are designed to be focal points—places where the viewer can rest their gaze and allow their mind to wander.

I’ve always been drawn to art that creates space for reflection, and I see these reliquaries as a way of providing that space. Whether it’s the delicate curve of a bird, the intricate weaving of a basket, or the texture of a pod, I want the viewer to feel invited into a quiet conversation with the work. And in that quietness, I hope they find a sense of peace and connection—both with nature and with themselves.

Art as a Refuge in a Chaotic World

In many ways, I see these reliquaries as a form of refuge—an artistic sanctuary where the viewer can escape, even if only for a few moments, from the noise and busyness of life. Nature has always been my refuge, and through this work, I hope to share that sense of refuge with others.

Each of the natural elements I include in these works represents something I find grounding and healing in nature. The birds, nests, pods, and weavings are all symbols of life, growth, and the cycles of nature—reminders that, even in the midst of chaos, there is always something beautiful and worth paying attention to.

I believe that art has the power to create space for healing and reflection, and I hope that these reliquaries can serve that purpose. By focusing on the small, simple details of nature—details that are so often overlooked in the rush of daily life—I want to encourage viewers to take a breath, to pause, and to reconnect with the beauty of the natural world.

A Sacred Pause in the Midst of Life

Ultimately, my **"Contemporary Nature-Inspired Reliquaries"** are about creating a sacred pause in the midst of life’s chaos. They are a reminder to slow down, to look more closely, and to find the sacred in the world around us. I believe that art has the power to offer us those moments of stillness and reflection, and through this work, I hope to provide that opportunity for others.

As I continue to create these reliquaries, I’m reminded of the importance of honoring the beauty and simplicity of nature. It’s easy to get caught up in the fast pace of life, but there is so much to be gained by taking the time to focus, remember, and enjoy the small things. That’s what these pieces are all about—celebrating the sacred in the everyday, and finding peace in the process.

Through this body of work, I hope to invite viewers into that sacred space, where they can rest, reflect, and reconnect with the world around them. These reliquaries are my way of sharing the quiet beauty of nature, and I’m excited to see how they resonate with those who encounter them.

​The journey to becoming a nature-inspired sculptor was not one I could have predicted, but looking back, it feels as though every moment of my life has led me here. I believe that each artist’s journey is deeply personal, often shaped by forces far beyond their control, and mine is no different. My work, which weaves together bark, vines, and other natural elements into sculptural forms, is not just a reflection of my surroundings—it’s an intimate expression of my connection with nature, faith, and the beauty that exists in the simple things. Here’s how it all unfolded.

The Roots of My Creative Journey
I grew up in middle Georgia and went to college in the southern Appalachian region, surrounded by mountains that stretched far beyond what my young eyes could fathom. The landscape was a constant source of fascination for me, and my childhood was spent exploring the forests, streams, and open spaces around me. At the time, I didn’t realize how much those early experiences in nature would shape my future as an artist.

My journey into art didn’t begin in the traditional sense. I wasn’t trained in an art school, nor did I grow up dreaming of becoming an artist. I came to it almost by accident. My love for nature, however, was always there. It wasn’t until the early 1990s that I discovered basketry and started experimenting with weaving techniques. This practice allowed me to merge my deep appreciation for natural materials with a creative outlet I hadn’t yet tapped into.

I remember the first time I picked up a vine and tried to form it into something beyond its natural state. There was something magical about it—how it resisted and yet yielded at the same time, as if the material itself had a story to tell. The process of weaving felt meditative, a dance between my hands and the elements I was working with. And so, from that moment, I was hooked.

Weaving as a Creative Language
Over time, I realized that weaving wasn’t just a craft or a hobby; it was a language—a way for me to speak with nature and tell stories through form. Each piece I created felt like a conversation between myself and the materials I was using. Bark, vines, branches—they all had a history, a life of their own before they ended up in my hands. My role was to honor that story and give it a new expression.

What drew me to nature-inspired sculpture wasn’t just the aesthetic appeal of organic materials but the deeper connection I felt to the natural world. There’s a certain rhythm in nature, a cycle of growth, decay, and rebirth that resonates with my spirit. It’s a constant reminder that we, too, are part of this intricate design. My sculptures, in many ways, reflect this understanding—there’s beauty in both the simplicity and complexity of natural forms.

I find myself continually inspired by the environment around me. Walking through the woods, I often stumble upon a twisted vine, a piece of bark, or a fallen branch, and I immediately see the potential for transformation. These raw materials become the foundation of my work, and it’s through them that I seek to convey a sense of harmony and balance. I want those who experience my art to feel the same awe and reverence for nature that I do, to see the beauty in the details and the stories embedded within each piece.

The Role of Faith in My Artistic Practice
My faith has always been central to my life, and it plays a significant role in my creative process. I believe that God is the ultimate creator, and as artists, we are merely reflecting His creativity through our work. For me, creating art is a form of worship—it’s a way to connect with the divine and share that connection with others.

There have been countless moments in my life when I’ve felt the guidance of the Holy Spirit in my work. Whether it’s a sudden inspiration for a new piece or the unexpected way materials come together, I know that my creativity is not something I generate on my own. It’s a gift, one that I’m called to steward.

This understanding has shaped not only how I approach my art but also how I approach life. I’ve learned to trust the process, to be patient when things don’t come together as quickly as I’d like, and to be open to the surprises that often emerge along the way. There’s a certain humility in working with natural materials—they don’t always do what you want them to, and that’s part of the beauty. It’s a reminder that we are not in control, but we can participate in something greater than ourselves.

Evolution of My Artistic Voice
As my career developed, so did my artistic voice. What started as a love for basketry grew into a desire to push the boundaries of what woven art could be. I began experimenting with other natural materials, incorporating elements like hand-hammered copper, recycled metals, and encaustic wax into my work. This evolution allowed me to create more complex, sculptural forms that went beyond the functional aspects of traditional basketry.

In recent years, I’ve focused on creating art vessels that celebrate both the natural world and the craftsmanship behind each piece. These vessels are not just objects; they’re symbolic, representing the connection between humanity and nature. Each one begins with a walk in the woods, where I carefully select materials that speak to me. I’m drawn to things that are imperfect, things that others might overlook. A crooked branch, a tangled vine—these elements have character and soul, and I love the challenge of transforming them into something new.

One of the themes I’ve been exploring more recently is the concept of using invasive species in my work. These plants, often considered nuisances, have their own unique beauty and utility. By incorporating them into my sculptures, I’m not only making a statement about sustainability but also finding creative ways to repurpose materials that would otherwise be discarded.

Crafting Art for Luxury Homes
One of the most rewarding aspects of my career has been seeing my art find a home in luxury spaces around the world. There’s something incredibly fulfilling about knowing that my work brings a sense of serenity and natural beauty into the homes of others. Many of my clients are drawn to the organic, tactile nature of my sculptures, and they appreciate the way these pieces create a bridge between the indoors and the outdoors.

I’ve had the privilege of working with interior designers, collectors, and homeowners who share my love for nature-inspired art. Whether it’s a coastal retreat or a mountain cabin, my sculptures are often featured as focal points in these spaces, helping to create an atmosphere of calm and connection.

Teaching and Sharing the Craft
In addition to creating my own work, I’ve always felt a strong calling to teach. I believe that the skills and knowledge I’ve gained over the years aren’t meant to be kept to myself. They’re meant to be shared. That’s why I’ve spent a significant portion of my career teaching others the art of basketry and nature-inspired sculpture.

There’s a deep satisfaction in watching others discover the joy of working with natural materials. Teaching allows me to pass on not only the technical skills of weaving but also the philosophical and spiritual aspects of the craft. For many of my students, working with their hands and creating something tangible becomes a form of healing, a way to reconnect with themselves and the world around them.

Looking Ahead
As I look back on my journey as a nature-inspired sculptor, I’m filled with gratitude for the path I’ve been able to walk. Every twist and turn, every challenge and triumph has shaped me into the artist I am today. But the journey is far from over. I’m continually inspired by the natural world and the endless possibilities it offers for creative expression.

My hope is that through my work, I can inspire others to see the beauty in the world around them—to slow down, pay attention, and appreciate the simple, profound gifts that nature provides. As an artist, my greatest joy comes from creating pieces that not only reflect the beauty of creation but also invite others to experience it in a deeper, more meaningful way.

I believe that art has the power to transform lives, to heal, and to inspire, and I’m honored to be a part of that process. This journey has been an incredible one, and I’m excited to see where it leads next.

Each week inside my Natural Basketry School, we welcome new makers from around the world. And the exciting part is that most have never made a basket before, much less harvested or prepared their own materials.  But with a little encouragement from our community and some simple video instruction from me, they start to create beautiful baskets they can be proud of. Baskets they can enjoy in their home, give as gifts and for some, even sell for extra income.

This blog post is specifically designed to celebrate some of the latest work from my students.  All the images below are from them and I am super proud of them.

If you'd like to learn how to make baskets using natural materials, I'd like to invite you to check out my online basket weaving courses.  

Fall weather brings the changing of colors and seasons. Cool air wisps through the trees, flowers begin to fade, seeds drop for next years blooms and foliage wilts. It can seem like a really depressing time in the garden, but not for the basketmaker!

While there's little to look forward to in fall garden cleanup, nothing is better than working in the garden on a cool fall day only to stop, gather and weave some daylily foliage. A welcome respite to the mundane nature of pruning and mulching.

**GET MY ONLINE BASKETRY COURSE, Twining with Soft Natural Materials**

Leaf weaving is about so much more than product… it’s the meditative process of creating, an invitation to slow down and listen. And for me, it's always been a bit of an escape from the rushed schedule of daily life. A walk in the woods. The discovery of materials. The adventure of preparation. The unlimited opportunities that lay waiting in the studio with natural materials so purposefully gathered. 

As a professional basketry artist for now approaching 30 years, I can say without question my favorite times weaving are still sitting on the ground, in the garden with fresh materials... no prep, no plan. Just materials and me. It's from that place that my artistic voice has emerged and my commercial work has prospered. People can feel the intent, the love, the purpose in my work and that means everything.

As with most things in art, there's rarely a "right way" to do anything... only the way that works for you. However, over the years I've found that I harvest day lily foliage in two primary ways: collected during the growing season and cut at the end of the season.

When daylily foliage is growing, it's always putting on new growth from the center of the plant, and pushing the old foliage down to the sides. Eventually, that foliage dries, wilts and dies while still connected to the plant. It doesn't look great and it's best to remove it so as to give your plant "breathing room." This foliage, in my opinion, is the best for weaving. Nothing beats the preparation nature provides in the natural wilting process.  Once you harvest these, simply let them dry completely and then store in a cool, dry place until ready to use.

You can also cut day lily foliage at the end of the growing season. I usually wait until the first frost so it begins to wilt and yellow but doesn't ruin. Again, let it dry completely in a cool, dry place and then store until ready for usage.

You'll notice that different varieties of daylily (and iris) have different kinds of foliage. Some are longer and fatter than others. Of course, being a basket maker, I choose my flowers by the length of foliage they provide, long being best.

Just because I'm talking about day lily and iris foliage doesn't mean you can't use other foliage available in the garden. Some of my other favorites include daffodil (usually harvested in the spring after blooming, giving the plant a few weeks to rest and begin to wilt.) Also other common plants like red hot poker, crocosmia and many others. Daffodil sap in particular can be irritating to the skin, so be careful as you harvest. Wear gloves, long sleeves, avoid touching your face and be sure to wash up thoroughly after harvesting.

Iris foliage doesn't mean you can't use other foliage available in the garden. Some of my other favorites include daffodil (usually harvested in the spring after blooming, giving the plant a few weeks to rest and begin to wilt.) Also other common plants like red hot poker, crocosmia and many others. Daffodil sap in particular can be irritating to the skin, so be careful as you harvest. Wear gloves, long sleeves, avoid touching your face and be sure to wash up thoroughly after harvesting.

Now, let's take a closer look at the leaves and flowers of the Iris plant. The leaves of Iris are long, strap-like, and sword-shaped, overlapping at the base, and oriented in one plane. They create an elegant and uniform arrangement that adds grace to any garden.

Moving on to the flowers, they are truly a sight to behold. The blooms are often carried at the top of a naked stem, standing tall and proud. They can range from a single majestic blossom to a cluster of several delicate flowers. The Iris flowers are characterized by their mesmerizing 6-parted structure. Three outer 'falls' spread or pendant, catching the eye with their distinct markings, while three inner 'standards' proudly stand erect, adding a touch of elegance.

What makes Irises truly special is their incredible color palette. From mesmerizing blues to enchanting violets, vibrant yellows to warm oranges, pure whites to mysterious blacks, Irises offer a spectrum of hues that can brighten up any garden. These captivating flowers are highly prized as cut flowers, adding beauty and vibrancy to perennial gardens.

​So, while Iris foliage is undoubtedly beautiful on its own, don't hesitate to explore other foliage options in your garden. Just remember, when harvesting plants like daffodils, be cautious of their sap, which can cause skin irritation. Protect yourself by wearing gloves and long sleeves, and remember to wash up thoroughly after harvesting. With the combination of Iris's stunning leaves and exquisite flowers, along with the possibilities of incorporating other foliage, your garden will be a true showcase of nature's beauty.

Using Iris In Landscaping to Create a Basketry Garden
Iris plants offer a multitude of possibilities when it comes to landscaping. Not only do they provide stunning blooms, but their foliage can also be put to creative use. For instance, Iris foliage can be harvested and used for basket weaving, adding a unique touch to your outdoor space. This is just one of the many ways in which you can incorporate Iris into your landscape design.

In addition to their foliage, Iris plants blend effortlessly with other popular flowers like daffodils, red hot pokers, and crocosmias. By carefully selecting and arranging these plants, you can create a vibrant and eye-catching display in your garden. Consider planting Iris in small groups or mass plantings to maximize their visual impact. This technique works exceptionally well as border plantings, foundation plantings, or even alongside walkways, where they can guide guests through your landscape with their graceful presence.

Iris plants also lend themselves beautifully to various garden styles. For those with a cutting garden, Iris is the perfect addition. You can harvest their blossoms to create stunning floral arrangements that bring the beauty of your garden indoors. Alternatively, if you're aiming for a charming and rustic atmosphere, consider incorporating Iris into a cottage garden. Their vibrant colors and delicate blooms will evoke a sense of nostalgia and create a whimsical ambiance.

So, whether you're seeking to add a touch of elegance to your patio or infuse a meadow with bursts of color, Iris plants are a versatile choice. Their ability to thrive in different settings and their practical applications make them an ideal option for any landscape. By exploring the various ways in which Iris can be utilized, you can create a truly captivating and enchanting outdoor space.

Enjoy the season and take time to walk through your garden to harvest materials for basket weaving.  For more on harvesting natural materials, be sure to download my free PDF 7 Tips for Harvesting Natural Materials.

After making baskets for over 30 years exclusively with natural materials I harvest in my local area, I've discovered there are 5 basket weaving techniques that lend themselves best to the process of making baskets.  They include twining, plaiting, twill, rib basketry and random weaving. As you'll see in my work below, I prefer to keep my weaving techniques simple and allow the natural beauty of the materials to shine through, creating the depth and interest desired.

Twining Basket Weaving Techniques
Twining is probably the most ancient of all the basket weaving techniques I use in my work. The word comes from the root word "twin", meaning two since it utilizes two pieces of like material simultaneously.  Here's a quick video below to demonstrate the technique.

Twining is probably my favorite basket weaving technique because it's so easy to learn, able to be implemented in functional and artistic applications, and can be executed using a variety of soft and rigid materials from foliage and bark to reed and even metal.  An excellent alternative to harvesting your own natural basket weaving materials for twining is raffia. 

Raffia is a natural fiber derived from the leaves of palm trees. It is available in different grades, which vary based on the fiber's length and overall quality. Longer pieces of raffia are suitable for the wrapping technique, whereas shorter strands (considered lower grade) serve as a filling material for baskets.

To obtain raffia, there are several options to explore. One reliable source is String Harvest, a supplier known for importing fair trade materials. Apart from specialty stores like this, you can also find raffia in regular art and craft shops, fabric supply shops, and even some floristry supply shops. Florists often use raffia to tie their bunches together. Additionally, online platforms such as Etsy offer a wide range of raffia options available for shipping within your own country.

However, if you prefer not to purchase raffia or are uncertain about your interest in the craft, there are alternative materials that can be used instead. Fabrics, strings, twine, embroidery thread, and ribbons are among the various substitutes that can be employed. By utilizing these different materials, each with their own textures, weights, and weaves, you can achieve unique outcomes and appearances. This allows you to experiment and bring diversity to your creations without having to learn an entirely new set of techniques.

Here are a few examples of twined pieces I've created over the years using natural materials I've harvested like vines, bark and foliage.

To learn more about how to twine and create beautiful baskets from natural materials, check out my online course, Twining with Soft Natural Materials where I show you step by step how to harvest, process and weave natural materials like foliage, vines and bark. The best part is, you can start making baskets within just a few days after watching this course, regardless of your experience level.

Plaiting Basket Weaving Techniques
The next basket weaving technique is plaiting. Although plaiting can be done in a variety of ways, I really enjoy diagonal plaiting to create both functional and decorative bags, pouches and baskets. The best part is, plaiting works beautifully with bark, which is one of my favorite natural materials to work with. Here are a few examples of plaited baskets I've created over the years.

Twill Basket Weaving Techniques
Another great basket weaving technique to use with flat materials like tree bark is what's called Twill. This is a more loose method of weaving that is based on using tension and skipping over stakes as you weave using a pattern. Common patterns include over 3 under 2, or over 2, under 1. There are many different variations of twill weaving that can be made really fancy with colors, materials and more complex designs like the quadrifoye.  Below are are several baskets that I've created using tree bark and a twill basket weaving technique.

Random Basket Weaving Techniques
I really love random weaving because it's the closest basket weaving technique to the forms and processes we see in nature used in bird nests.  Although it is random, there's definitely a process to making it look that way. In particular, I start with creating a frame out of rigid materials (usually grapevine) and then layering in flat pieces of bark, followed by smaller, more flexible material like wisteria and bittersweet, finishing with fine layers of metal and honeysuckle vines.  I also enjoy random weaving over the top of twilled and twined baskets for a beautiful layered effect, reminiscent of Japanese ikebana baskets.  Here's some examples of my work below.

Rib Basket Weaving Techniques
Last but not least is the basket weaving technique that I actually started with over 30 years ago, and that's rib basketry.  When I started making baskets in college, it was after experimenting with kudzu vine at a summer camp I was working at and then finding a book on basketry shortly after arriving back at college that fall. The book covered a variety of weaving techniques, but rib baskets is where I started. I soon found the construction of these traditional forms almost addictive and spent every free moment harvesting and making.  Here's some examples of traditional rib baskets (with an organic flair) I've created over the years.

I hope these baskets inspire you to start trying these basket weaving techniques yourself.  As you get started, be sure to download my free PDF, 7 Tips for Making Baskets with Natural Materials.

Also, if you're looking for a full immersion into the world of basket weaving with natural materials, consider my online basket weaving classes and community, available right now on-demand. Each of my classes includes hours of instruction and introduces 3-4 different basket designs along with a basket pattern and a video tutorials with detailed instructional material to guide you through the process. Whether you're a beginner or have some experience in basket weaving, my online basket weaving classes offer a comprehensive learning experience that covers foundational techniques and allows you to progress at your own pace. Feel free to start with basket one and weave all twelve to truly immerse yourself in this craft. Happy weaving!

Additional Common Basket Weaving Technique Questions

• Can anyone weave their own basket? Sure! anyone, regardless of their skill level or prior experience, can indeed weave their own basket. Basket weaving is an inclusive craft that welcomes individuals of all backgrounds and abilities. While it's best to experiment and take small steps initially, even taking online or in-person basket weaving classes from an expert teacher, once a person becomes engulfed in the art of basket weaving, it becomes akin to finding a sense of belonging and the desire to continue creating baskets becomes irresistible. I know it has for me!
• What materials can be used for basket weaving? Really, just about anything you can imagine. I prefer natural materials like bark, vines and foliage but many people use paper, raffia, metal, plastics and a variety of other materials. The options are as unlimited as your imagination. 
• Is Coiling a good method for basket weaving? Absolutely! it's just not one of my favorites, as it is extremely time-consuming and a little harder on the hands than the other techniques I described above.
  
  Usually people who coil use grasses and even fabrics along with yarns and a variety of other processed and natural weaving materials. One of the most popular coiling materials is raffia. Raffia can be purchased from various sources. If you're looking for fair trade materials, a good option is String Harvest, where I personally source my raffia. Additionally, you can find raffia at regular art and craft shops, fabric supply shops, and even some floristry supply shops. Florists often use raffia to tie their bunches together. For those who prefer online shopping, platforms like Etsy offer raffia that can be shipped within your own country, ensuring convenience for your purchase.
• What is a Chase weave? Chase weave is a basket weaving technique that involves two weavers being woven simultaneously. To achieve an even wall formation, the ends of the weavers are trimmed down and woven into the basket on the same side. As the weaving progresses, new lengths of reed are added in a continuous fashion when reaching the end of one or both of the weavers. This method ensures a seamless and cohesive basket structure throughout the weaving process.
• What is a Continuous Weave? Continuous weave is a weaving technique commonly employed in creating round baskets. It involves repetitively weaving the weaver material in a circular pattern, encircling the previous rows until the desired height or circumference is achieved. Unlike other weaving methods where each row is individually attached, the continuous weave method seamlessly connects each new weaver to the previous row, creating a continuous and uninterrupted pattern. This process continues until a section of weaver material is fully used, at which point a new weaver is introduced to maintain the flow and integrity of the pattern. By utilizing the continuous weave technique, basket makers can produce sturdy, uniform, and visually appealing round baskets with a consistent texture throughout.
• What is Start and Stop Weave? Start-and-stop weave refers to a weaving technique where one row is woven at a time. It's very common in bark basketry. To execute this technique, the weaver begins by weaving around the basket, continuously working their way around. Once the entire circumference of the basket is woven, the weaver then overlaps the ends of the materials being used, ensuring that they are hidden from plain view. This overlapping of ends creates a seamless and neat finish. By employing the start-and-stop weave technique, the weaver can achieve a beautifully woven basket with a tidy and uninterrupted pattern.
• What is Braiding in Basket Weaving? Braiding in basket weaving is a technique employed to add decorative elements to the baskets. This particular technique requires a higher level of complexity and skill, as it involves working with multiple weavers simultaneously to create a braid-like pattern. By intertwining the strands, this process creates visually appealing designs and textures on the surface of the basket. It requires dexterity and precision to maintain a consistent pattern throughout the braiding process. When mastered, braiding can elevate the overall aesthetic value of a basket, making it a sought-after skill in advanced basket weaving.

Sustainability and Environmental Impact of Using Natural Basket Weaving Materials 

The art of basket weaving, deeply rooted in various cultures worldwide, has historically employed natural materials sourced from the local environment. The sustainability and environmental impact of using these materials in basket weaving are multifaceted, encompassing both ecological and socio-economic aspects.

Natural materials used in basket weaving, such as grasses, vines, barks, and reeds, are typically renewable resources. Their use supports the principle of sustainability, as these materials can be harvested without causing long-term harm to the environment. For instance, willow, a popular basketry material, can be cut and will regrow from the same root system, making it a sustainable choice. Similarly, materials like bamboo, seagrass, and rattan grow quickly and can be harvested frequently.

However, sustainability in basket weaving is not just about the renewability of resources. It also involves responsible harvesting practices. Overharvesting can lead to depletion of natural stocks, habitat destruction, and biodiversity loss. Therefore, weavers and suppliers need to practice and support sustainable harvesting methods. This includes understanding the growth cycles of plants, taking only what is needed, and leaving enough behind for future regeneration.

The use of natural materials in basketry also has a minimal carbon footprint compared to synthetic materials. These materials are biodegradable, reducing waste and pollution when baskets reach the end of their life cycle. This contrasts sharply with plastic or metal materials, which can be environmentally damaging both in production and disposal.

Furthermore, the use of natural materials in basket weaving carries socio-economic implications, especially in communities where basketry is an integral part of cultural heritage. It provides a source of income for artisans and helps in preserving traditional skills and knowledge. These socio-economic benefits, however, must be balanced with environmental considerations to ensure that these practices are sustainable in the long term.

The environmental impact of basket weaving also extends to the dyeing process. Natural dyes, derived from plants, minerals, and other organic sources, are more environmentally friendly than synthetic dyes, which often contain harmful chemicals. Using natural dyes aligns with the ethos of sustainability, further minimizing the ecological footprint of the basket weaving process.
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In conclusion, the use of natural materials in basket weaving offers a sustainable alternative to synthetic materials, aligning with the principles of environmental stewardship and conservation. However, its sustainability hinges on responsible harvesting practices, community involvement, and an understanding of the ecological balance. As consumers and practitioners, fostering an awareness of these aspects is crucial in ensuring that the art of basket weaving continues to be an environmentally responsible and culturally enriching practice.

For years now, I've been asked by my students and followers alike to put together a simple guide for using natural basket weaving materials. Things like where and when to harvest, how to protect and store basket weaving materials and even common tools used in the process of making a basket. 

Well, I finally did it!  And you can download it for free right here: http://www.matttommey.com/basket-weaving-classes.html
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Let me know what you think in the comments below!

I was privileged this year to be asked again for a sculptural work to be featured in the Cashiers Designer Showhouse to benefit the Cashiers Historical Society. My piece was featured on the front porch of this modern rustic luxury mountain cottage in Silver Run Reserve. The porch was designed by Ann Sherrill, owner and lead designer at Rusticks in Cashiers and it was a show stopper to be sure!

I love creating special pieces like this one because they work both indoors or on a covered porch like this one. It's a truly versatile piece that brings the whimsy and beauty of nature into the living environment.

This beauty is now available! 50” x 25” wall hanging perfect for interiors or a fully covered porch. $3,295. Complimentary delivery and installation for WNC residents. Email me for purchase inquiries.

About the Cashiers Designer Show House
"Sprawling across nearly 300 acres of natural beauty and adjoining the Nantahala National Forest, lies Silver Run Reserve, the location of the 2020 Cashiers Designer Showhouse (CDS). Silver Run was originally assembled by the civic-minded Neely family as a private family estate nearly 40 years ago. Located within the prestigious southern corridor of Cashiers, Silver Run is in the midst of a revival as it is being transformed into a private, low-density, wonderfully amenitized mountain community.

The 2020 Showhouse is a 3,000-square-foot Mountain Modern Cottage, custom-designed by the renowned Meyer Greeson Paullin Benson firm and built by Cashiers’ own Harris Custom Builders. With beautiful mountain and wooded views, and close to the center of the community and The Lodge, the Showhouse is surrounded by tranquility and beauty. Leading local, regional, and national interior designers will grace one of Cashiers' most storied properties with a collective aesthetic vision for a once-in-a-lifetime Showhouse.​

​The Cashiers Designer Showhouse is the Cashiers Historical Society's signature fundraising event. In partnership with Atlanta Homes & Lifestyles, CDS raises vital funds to support our mission and cultural programming."  - CashiersHistoricalSociety.org

I'm excited to announce the launch of "The Thriving Christian Artist" podcast for artists who want to bust through roadblocks that have held them back for years, create the art they love and live the life the they know God created them to live as an artist in His Kingdom.

During each season of the podcast, I'll be sharing encouraging teaching and inspiration from my own journey as an artist plus interviews with both emerging and established artists in every creative medium who are thriving artistically, spiritually and in their business.

You can listen, subscribe and review my podcast via iTunes, Stitcher, GooglePlay or my website www.MattTommeyMentoring.com/podcast 

After hosting a local garden club at my studio earlier this spring for a program centered around my sculptural work, one of the members asked me to create a special piece for her home. This was a new home for her and completely different that any other aesthetic she'd ever employed within her design background. The space features cool, calm colors, modern lines and beautiful windows overlooking a spectacular garden.  Enjoy!